Alice W. Iglehart has more than 40 years of experience at The Metropolitan Museum of Art and is a master of gallery-based teaching. She co-created the award-winning Murder at The Met: An American Murder Mystery and has taught and trained staff at numerous historic house museums. She is also on the faculty at the School of Visual Arts in the Art History and Critical Studies department. Alice holds a B.A. with a triple major in Art History, History, and Studio Art, and an M.S. in Museum Education.

Christopher Noey is an art historian, author, and an Emmy award-winning producer of films on art and culture. He holds both a bachelors and masters degree in art history. At The Metropolitan Museum of Art, he created video installations for a diverse array of exhibitions including Jerusalem 1000-1400: Every People Under Heaven, and he was series director of the innovative online features 82nd & Fifth and The Artist Project, in which he interviewed 120 contemporary artists on how they are inspired by The Met and its collections. An expert in Asian and Islamic art, Mr. Noey has taught at Williams College and at the City College of New York. In the Connections episode “Tennessee,” he talks about his childhood state and the unusual places it pops up in The Met.

Frank Dabell studied at Oxford University and The Courtauld Institute of Art at London University. As a Fellow of The Metropolitan Museum of Art, Frank regularly lectured and gave talks. He is the former Director of the Piero Corsini Gallery in New York, and lectured at the City College of New York. He has led tours for major museums on journeys throughout Europe and North Africa. He has published extensively since the mid-1980s and is completing a book on Piero della Francesca. Frank was born in Paris and lives in Rome, where he teaches art history at Temple University’s Study Abroad program, and at the University of Rome.

Jennifer Dasal, Lecturer, is an art historian, curator, lecturer, and author. After stumbling into an art history class as an undergraduate student at UC Davis, Jennifer was hooked. She went on to complete an M.A. in Art History from University of Notre Dame, and completed PhD coursework in art history at the Pennsylvania State University. She is the former curator of modern and contemporary art at the North Carolina Museum of Art (NCMA), where she worked for thirteen years. In 2016, she became the the creator and host of the ArtCurious Podcast, which was chosen as one of PC Magazine’s Best Podcasts of the Year for three years in a row (2018-2020). Dasal’s first book, ArtCurious: Stories of the Unexpected, Slightly Odd, and Strangely Wonderful in Art History, has received a much-coveted “starred” review from Publishers Weekly. Her second book, The Club: Where American Women Artists Found Refuge in Belle Epoque Paris, is set to release this summer.

Jessica Glasscock, Lecturer, is an NYC based writer, lecturer, museum curator, and costume connoisseur. She has nearly 15 years of experience with the Metropolitan Museum of Art, doing research, as well as archival and exhibition-related work with The Costume Institute. She’s a part-time lecturer at the Parsons School of Design, where she’s taught engaging classes such as Fashion & Futurism and Fashion Curation. Jessica is a book lover and accomplished author, sharing her expertise and historical knowledge with titles such as Wigging Out and Making a Spectacle. An NYU alumni, Jessica received a BA in English Literature and a Masters in Visual Culture.

Keith Christiansen, Lecturer, is Curator Emeritus, formerly the John Pope-Hennessy Chairman of the Department of European Paintings at The Metropolitan Museum of Art. He began work at The Met in 1977, and, during his 44 years there, organized numerous exhibitions on Renaissance and Baroque painting. He has written widely on Italian art and is the recipient of several awards. Raised in Seattle, Washington, and Concord, California, he attended the University of California campuses at Santa Cruz and Los Angeles and received his Ph.D. from Harvard University.

Linda Wolk-Simon is a specialist in Italian Renaissance art. After nearly 25 years as a curator and educator at The Metropolitan Museum of Art, she became Head of the Drawings Department at the Morgan Library and Director of the Fairfield University Museum. Currently she is a Visiting Professor at the Institute of Fine Arts, NYU. She has organized exhibitions, lectured extensively, and authored catalogues, essays, articles and reviews on Italian art, and co-authored the Met’s The Medici: Portraits and Politics. Her publication Raphael at the Metropolitan received an award for excellence from the Association of Art Museum Curators, and she was recently inducted into the National Jesuit Honor Society in recognition of her acclaimed exhibition and book, The Holy Name. Art of the Gesù.

Page Knox is a Core Lecturer in the Art History Department of Columbia University, where she received her PhD in 2012. She is a Contractual Lecturer for the Education Department at the Metropolitan Museum of Art, where she gives public gallery talks and lectures in special exhibitions. She is also involved with the programming at the Met Breuer. Page graduated from Yale University and was a double major in Art History and Economics and has worked at the Yale Center for British Art. At Columbia, she received a PhD with a focus in American Art, while her minor field was Renaissance painting, specifically Leonardo da Vinci. Her dissertation, “Scribner’s Monthly 1870-1881: Illustrating a New American Art World,” explores the significant expansion of illustration in print media during the 1870s.

Pari Stave is the Head Curator for Exhibitions at the National Gallery of Iceland, where she is a specialist in Scandinavian modern and contemporary art. She studied art history at New York University’s Institute of Fine Arts. Prior to moving to Iceland, Stave worked as the Senior Manager for Administration, Collections, and Curatorial Projects at the Metropolitan Museum of Art. In 2013, she curated Iceland: Artists Respond to Place, a group exhibition at the Katonah Museum of Art in New York.

Peri Frances is a cultural historian, educator, and certified interpretive guide with more than 25 years of experience leading heritage programs across the American South, West Africa, Latin America, and the Caribbean. A Spelman alumna and descendant of both the Kingsley Plantation in Florida and the historic Black town of Mound Bayou, Mississippi, she draws on personal lineage and archival expertise. She has developed programs for institutions including Emory University and the Morehouse Mellon Movement, and the Memory and Justice Project. She also serves on the Sun Coast Regional Council of the National Parks Conservation Association and the Tourism Alliance of the Gullah Geechee Cultural Heritage Corridor.

Rika Burnham, Lecturer, has served as Head of Education at the Frick Collection, Museum Educator at the Metropolitan Museum of Art, and Project Director for TIME/Teaching Institute in Museum Education at the School of the Art Institute of Chicago. She has given lectures and led workshops for art museums across the U.S. and in Europe and currently teaches as a Lecturer in the Columbia University School of Professional Studies. An influential author in her field, Burnham’s many publications include Teaching in the Art Museum: Interpretation as Experience (Getty, 2011, with Elliott Kai-Kee), winner of a PROSE Award for best title in education from the Association of American Publishers. Her catalogue, chapter, and other essays have appeared under the National Gallery of Australia, Barnes Foundation, and SITE Santa Fe, as well as in numerous academic journals. Burnham holds a degree in art history from Harvard University and was awarded the degree of Honorary Doctor of Fine Arts from Massachusetts College of Art and Design in 2014.